What is wrong with Indian Films Question Answer BSEB Class 10 English Panorama-II Book



BSEB Class 10 English Panorama-II Book Lesson 4 What is wrong with Indian Films Question Answer 


What is wrong with Indian Films Question Answers: Looking for What is wrong with Indian Films important questions and answers for BSEB Class 10 English Panorama-II Book? Look no further! Our comprehensive compilation of important questions will help you brush up on your subject knowledge. Practicing BSEB Class 10 English question answers can significantly improve your performance in the board exam. Improve your chances of scoring high marks by exploring What is wrong with Indian Films question answers now. The questions listed below are based on the latest BSEB exam pattern. All the exercises and Questions Answers given at the back of the lesson have also been covered. 



BSEB Class 10 English Chapter 4 What is wrong with Indian Films Question and Answers 




A. Work in small groups and discuss the following:

1. Have you seen any films recently?
Ans. Yes, I watched “[Film’s Name]” recently. The world-building and cinematography in this stunningly gorgeous representation of the science fiction novel are truly remarkable. I was intrigued by the plot the entire time, and the acting was excellent. All in all, I would heartily suggest it as a memorable cinematic experience.

2. Tell the name of any film which you like most. Point out its salient features.
Ans. One movie I really love is “[Film’s Name].” It’s got a really interesting story that keeps you hooked from start to finish. The characters are so well-developed, and you really feel like you know them by the end of the movie. Plus, the way it looks is just amazing! The scenes are shot in a really beautiful way that makes everything feel real. And the actors do such a great job bringing their characters to life. The music in the movie adds even more excitement to the whole thing. Overall, “[Film’s Name]” is just an awesome movie that you won’t forget after watching it!

B.1.1 Write ‘T’ for true and ‘F’ for false Statement

1. The Cinema commands the respect accorded to any other form of creative expression.
2. The cinema doesn’t combine the cold logic of science.
3. Film production in India is quantitatively second only to Hollywood.
4. India has achieved what other countries have achieved.
5. Indian music is largely improvisational.
1. T
2. F
3. T
4. F
5. T

B.1.2 Study the lesson carefully and complete the following sentences on the basis of your reading:

1. By the twenties it had reached………… of big business
2. Why were our films not shown………..
3. The technicians will…………. the tools.
4. The first feature was shot in ……..
5. The ………….. with music failed in our case.
1. the status
2. abroad
3. blame
4. 1913
5. analogy

B.1.3 Answer the following questions very briefly:

1. Who has written this essay?
Ans. Satyajit Ray has written this essay.

2. Which is the most potent and versatile art form?
Ans. The cinema is the most potent and versatile art form.

3. Were Indian films shown abroad a few decades ago?
Ans. No, Indian films weren’t shown abroad a few decades ago.

4. When was the first short film produced?
Ans. The first short was produced in the year of 1907.

B.2.1 Complete the following sentences on the basis of the unit you have studies:

1. Stories have been written ………….. on Hollywood success.
2. It should be realized that the average American film is a bad ……..
3. After all, we do …………. the primary tools of filmmaking.
4. The …………… of our films are replete with ‘visual dissonances’.
5. But the truly Indian film should …………. Clear of such inconsistencies.
6. There …………….. rare glimpses of an enlightened approach in a handful of recent films.
1. based
2. model
3. posses
4. majority
5. steer
6. have been

B.2.2. Answer the following questions briefly:

1. Have average American films been a bad model? Give one reason.
Ans. Yes, American films have been a bad model. American films show a way of life that is very different from what people experience in India. This means that the stories, characters, and situations in American films might not relate well to Indian audiences or reflect their own lives accurately.

2. Mention one thing/feature which Indian films need?
Ans. One thing that Indian films need is to develop their own unique style or identity. This means they should have a way of telling stories and presenting visuals that are distinctively Indian, reflecting the culture, traditions, and values of the country.

3. Do Indian film makers possess the primary tools of filmmaking?
Ans. Yes, Indian filmmakers do have the basic tools needed to make movies. This includes things like cameras, lights, sound equipment, and editing software. These tools are essential for creating films, and Indian filmmakers have access to them to bring their stories to life on screen.

C.1. Long Answer Questions

1. “What our cinema needs above everything else is a style, an idiom, a sort of iconography of cinema, which would be uniquely and recognisably Indian.” How far does this apply to Indian cinema today? Discuss.
Ans. In today’s Indian cinema, the call for a uniquely Indian style remains relevant. While some filmmakers have started to explore indigenous narratives and aesthetics, many mainstream films still heavily borrow from Western influences. Despite this, there’s a growing presence of independent and regional cinema that ventures into diverse themes and experimental techniques, adding depth to the industry. However, a significant portion of Indian cinema continues to prioritize commercial success over artistic originality. Thus, while progress is evident, there’s still a need for greater commitment to developing a truly distinctive and authentic Indian cinematic identity.

2. Should cinema be looked upon as a form of creative expression? Give reasons.
Ans. Yes, cinema should be seen as a form of creative expression because it brings together storytelling, visuals, music, and acting to convey ideas and emotions. It allows creators to communicate messages and explore themes in ways that deeply impact viewers. Additionally, filmmaking encourages collaboration and innovation, fostering creativity among artists. Through cinema, diverse stories and cultures are shared, promoting understanding and empathy. Overall, cinema serves as a powerful medium for artists to express themselves and for audiences to engage with compelling narratives and experiences.

3. Do you think that Indian films have certain basic weaknesses? Illustrate your answer, citing examples from the films you have seen.
Ans. Yes, Indian films often have some basic weaknesses. For example, many Bollywood movies rely too much on melodrama, making the emotions seem exaggerated and feature exaggerated emotional scenes and predictable storylines, which can detract from the overall impact of the film. Additionally, some films have overly complicated plots that can confuse viewers. Another issue is the tendency to follow Hollywood trends too closely, resulting in unoriginal storytelling. However, there are exceptions like “Court” and “Ship of Theseus,” which offer fresh and thought-provoking narratives. These films show that Indian cinema has the potential to overcome its weaknesses and produce more original and compelling works.

4. What is the most dominant influence on Indian Films?
Ans. Indian movies are heavily influenced by Hollywood. They take ideas and styles from American films and try to use them in their own movies. But sometimes, this isn’t a good thing. American films might not match well with Indian culture, and it’s hard to make movies in India as polished as Hollywood ones. Even though Indian filmmakers like to look at Hollywood for ideas, they have a tough time copying everything because of differences in culture and the resources available. So, while Hollywood has a big impact on Indian cinema, it’s not always easy for Indian movies to follow its example.

5. What aspects of the American films do our films imitate? Is it justified in our context?
Ans. Indian movies often copy things from American films, like how they tell stories, write scripts, and use background music. For example, they might use similar storytelling techniques such as love triangles and dramatic twists. They also tend to follow Hollywood’s way of writing scripts, sometimes even copying storylines or characters. Additionally, they might use Western-style background music, like jazz, which might not always fit with Indian stories. While copying from Hollywood can sometimes make Indian movies more popular, it’s important to make sure that it doesn’t make them lose their unique Indian flavor.Whether it’s justified for Indian movies to copy Hollywood is up to personal opinion and depends on different things. Taking ideas from successful international movies can make Indian movies more popular and help them do well around the world. But if Indian movies just copy Hollywood without thinking about what’s important to Indian culture, they might end up feeling like they don’t have their own identity.

C.3. Composition

1. Write a letter to the Director of Doordarshan requesting him to give you an opportunity to participate in the weekly T.V. Program which interests you very much. Mention why you find yourself suitable for such a program.

[Your Name]
[Your Address]
[City, State, Zip Code]


The Director
[City, State, Zip Code]
Subject: Request for Opportunity to Participate in Weekly TV Program

Dear Director,
I am writing to express my keen interest in participating in the weekly TV program [Name of the Program], which airs on Doordarshan. Having been an avid viewer of the program for quite some time now, I am inspired by its content, format, and the positive impact it has on its audience.As a passionate advocate for preserving the unique identity of Indian cinema, I have been inspired by Ray’s call for filmmakers to embrace indigenous storytelling and aesthetics, in the chapter “What is Wrong with Indian Films.” In light of this, I am eager to contribute to programs that promote originality and cultural authenticity, such as the weekly TV program [Name of the Program] aired on Doordarshan.

With a background in [mention your profession or relevant experience], I am confident in my ability to offer meaningful insights and perspectives that align with the values espoused by Ray. My dedication to upholding the integrity of Indian cinema and my enthusiasm for [mention the topic or theme of the program] make me well-suited for participation in [Name of the Program].

I would be honored to have the opportunity to discuss my potential contribution to the program further. Thank you for considering my request. I look forward to the possibility of collaborating with you in promoting the rich cultural heritage of Indian cinema.

Yours sincerely,
[Your Name]

2. Write your impression of a Hindi film which you have seen recently.
Ans. Recently, I had the opportunity to watch the Hindi film “Dangal,” and I must say, it left a lasting impression on me. The film revolves around the true story of Mahavir Singh Phogat, a former wrestler who trains his daughters Geeta and Babita to become world-class wrestlers. What struck me most about “Dangal” was its powerful storytelling and strong performances by the cast, particularly Aamir Khan in the lead role. The film skillfully tackles themes of gender equality, determination, and the pursuit of dreams against all odds. Moreover, the wrestling sequences were incredibly well-executed, adding to the authenticity of the narrative.


D.1. Dictionary use

Ex. 1. Correct the spelling of the following words:
Varsetile, inavetable, potencial, repelite, phinonomena
1. Versatile
2. Inevitable
3. Potential
4. Replete
5. Phenomena.

Ex. 2. Frame your own sentences using the following words:
creation, potential, solely, queer, gloss, adequate, incredible
1. The painting was his creation, showcasing his artistic talent.
2. She showed great potential in her studies, impressing her teachers.
3. Success isn’t solely about luck; hard work plays a big part too.
4. He felt a queer sensation in his stomach before giving the speech.
5. The magazine cover had a glossy shine, catching everyone’s attention.
6. She made sure to have adequate snacks for the road trip.
7. The view from the top of the hill was incredible, with endless fields stretching out below.


Ex. 1. Match the words or phrases in Column A with the meanings given in column B.

Column A

Column B


Art of painting


Given (degree etc.)


Process of developing




Art and science of building


Smooth bright surface

1. Conferred- Given (degree etc.)
2. Architecture- Art and science of building
3. Indispensable- Essential
4. Evolution- Process of developing
5.Gloss- Smooth bright surface
6. Iconography- Art of painting


Ex.1. Read the lesson carefully and find out five sentences in which phrases have been used. Now use those phrases in sentences of your own.
1. one of the most – Madhya Pradesh is one of the most populated states of India.
2. Took up – He took up his father’s family business as his profession
3. A host of – A host of the show was reported to be behaving rudely with others
4. After all – After all, one cannot escape from fate!
5. A sort of – A sort of fear gripped him especially whenever he drove as a result of his accident.

E. GRAMMAR (Adverb Clauses of Conditions)

Ex. 1 Look at the following sentences:

  • If you get late, you will miss the train.
  • You will not succeed unless you work hard.

In the examples given above “If you get late” ad “unless you word hard” are conditions. So, this clause is called the Adverb Clause of Condition.

Now study the examples given below: – Clauses of Condition are underlined.

  1. If you make a promise, you must keep it.
  2. In case it rains, I shall not go out. Adverb clause of condition begins with if with, unless in case, so long as, provided that etc.

Ex 1.1. Make five sentences using –
unless, provided, in case, so long as
1. Unless you study hard, you won’t pass the exam.
2. Provided you finish your chores, you can go out with your friends.
3. In case of an emergency, please call 911.
4. So long as you follow the rules, you can stay in the library.
5. Unless it’s sunny tomorrow, we’ll have to cancel the picnic.

Ex 1.2 Fill in the blanks with “should” or “ought to”

1. We……………. Help our neighbors.
2. He ………………. Speak the truth.
3. Everybody ………………. Trust his friends.
4. She ………………… read this novel.
5. You …… work for the welfare of the country.
1. We ought to help our neighbors.
2. He should speak the truth.
3. Everybody ought to trust his friends.
4. She ought to read this novel.
5.You should work for the welfare of the country.

Ex1.3 Read the following sentences carefully:

1. You ought to go immediately.
2. She ought to apologize for her behavior.
3. Do you think I should go?
4. You should write a letter and find out when he is coming.

‘should’ and ‘ought to’ have some moral connotations, ‘ought to’ is stronger and indicates moral obligation whereas ‘should’ indicates a recommendation. It is used in giving or asking for advice.

Now make five sentences with ‘ought to’ and ‘should’
1. You ought to apologize for your mistake; it’s the right thing to do.
2. He should study more if he wants to improve his grades.
3. We ought to respect our elders.
4. You should wear a helmet while riding a bike for safety.
5. Students ought to listen to their teachers in class.

Ex.1.4. Read the following sentences carefully:
Read the lines of the test from 6 to 15 and frame as many questions as you can, using ‘wh’ words or auxiliaries. One example has been done for you.
Which was the first short film produced?
1. When was the first short film produced?
2. Who produced the first short film?
3. What was the subject of the first short film?
4. Were there any notable actors in the first short film?
5. Where was the first short film produced?


Translate the following sentences into Hindi/your mother tongue.

1. India took up film production surprisingly early.
2. Why were our films not shown abroad?
3. Let us face the truth.
4. The technician will blame the tools.
5. It should be realized that the average American film is a bad model.
6. What does our cinema need?
7. Let him do so.
8. He has only to keep his eyes open.
1. भारत ने आश्चर्यजनक रूप से जल्दी ही फिल्म निर्माण शुरू कर दिया।
2. हमारी फिल्में विदेशों में क्यों नहीं दिखाई गईं?
3. आइए सच्चाई का सामना करें।
4.तकनीशियन उपकरणों को दोष देगा।
5.यह महसूस किया जाना चाहिए कि औसत अमेरिकी फिल्म एक बुरा मॉडल है।
6.हमारे सिनेमा को क्या चाहिए?
7.उसे ऐसा करने दो।
8.उसे केवल अपनी आँखें खुली रखनी हैं।


Bihar Board Class 10 English Chapter 4 What is wrong with Indian Films Extra Question and Answers 

Multiple Choice Questions (MCQs)


1. When was the first short film produced in India?
a) 1900
b) 1907
c) 1913
d) 1920

2. What is the primary complaint about Indian films not being shown abroad?
a) Lack of market potential
b) Poor quality compared to foreign films
c) Excessive melodrama
d) Technological limitations

3.What aspect of Indian cinema is criticized in comparison to Western standards?
a) Lack of coherent dramatic patterns
b) Overemphasis on improvisation
c) Excessive reliance on jazz music
d) Inability to achieve technical polish

4.What is identified as the primary need for Indian cinema according to the passage?
a) Higher production budgets
b) More technical equipment
c) A distinctive style and identity
d) Greater emphasis on melodrama

5. Which film is cited as an example of an enlightened approach in Indian cinema?
a) Kalpana
b) Dharti-Ke-Lala
c) A Bollywood Love Story
d) Hollywood Nights in Mumbai

6. What is suggested as the raw material of cinema?
a) Fictional stories
b) Life itself
c) Traditional folklore
d) Technological advancements

7. What is one factor hindering the evolution of a distinctive Indian cinema style?
a) Lack of trained technicians
b) Over Reliance on Hollywood models
c) Limited landscape options
d) Insufficient government support

8. Which cinematic element is highlighted as being in need of simplification?
a) Plot complexity
b) Musical numbers
c) Special effects
d) Character development

9. What does the passage suggest about the Indian cinema’s adaptation of Hollywood techniques?
a) It has been highly successful
b) It lacks technical polish
c) It requires more improvisation
d) It should be avoided altogether

10. What does the passage ultimately advocate for Indian cinema?
a) Embracing Hollywood standards
b) Returning to traditional storytelling
c) Exploring new documentary formats
d) Developing a unique and authentic style



1. b) 1907
2. b) Poor quality compared to foreign films
3. a) Lack of coherent dramatic patterns
4. c) A distinctive style and identity
5. b) Dharti-Ke-Lala
6. b) Life itself
7. b) Over Reliance on Hollywood models
8. a) Plot complexity
9. b) It lacks technical polish
10.d) Developing a unique and authentic style



Extract-Based Questions


A. “It’s easy to say Indian cinema is second only to Hollywood in quantity, but what about quality? Why aren’t our films shown abroad? Are we ashamed of them? Let’s be honest, we haven’t made a film that excels in all aspects yet. There are many factors behind this, like blaming the audience, tools, or conditions. In India, we seem to misunderstand the basic concept of storytelling over time.”

Q1.Why does the author doubt the quality of Indian films despite their large number?
Ans. The author questions the quality of Indian films despite their production volume because quantity is not necessarily equal to quality. The author states that production volume alone doesn’t guarantee high-quality filmmaking.

Q2. What potential reasons does the author suggest for Indian films not being shown abroad?
Ans. Indian films might not be shown abroad because India mainly focuses on its own audience and Indian filmmakers might not have confidence in their work. They might even feel ashamed of their own films.

Q3.Do you think the author believes Indian filmmakers lack confidence in their own work? Why or why not?
Ans. Yes, the author thinks Indian filmmakers might lack confidence in their work. They seem to doubt if their films can match up to international standards.

Q4. How does the author suggest Indian cinema compares to Hollywood in terms of quality?
Ans. Indian cinema is seen as not as good as Hollywood movies according to the author. Indian films haven’t reached the same level of acclaim or quality as Hollywood films.

Q5. What might be some consequences of Indian films not being recognized internationally according to the author?
Ans. If Indian films aren’t recognized internationally, they might not get a big global audience. This could mean fewer chances for Indian filmmakers to work with international partners or get their movies shown in other countries. It could hold back the Indian film industry from growing and gaining more respect worldwide.

B. “The cinema commands the respect accorded to any other form of creative expression. It combines in various measures the functions of poetry, music, painting, drama, architecture and a host of other arts, major and minor.”

Q1. How does the author describe the status of cinema in contemporary society?
Ans. The author describes cinema as commanding respect similar to other forms of creative expression, blending elements of poetry, music, painting, drama, architecture, and other arts.

Q2. According to the passage, what diverse elements does cinema incorporate?
Ans. Cinema incorporates elements of poetry, music, painting, drama, architecture, and various other arts, both major and minor.

Q3. How does the author characterize the versatility of cinema?
Ans. According to the author, cinema is a flexible and adaptable art form which includes aspects from several artistic fields.

Q4. Why does the author emphasize the significance of cinema in contemporary culture?
Ans. The author highlights the importance of cinema as a powerful and adaptable art form in contemporary culture by emphasizing its capacity to combine a variety of artistic components.

Q5. What broader concerns does the passage raise about the perception of Indian cinema?
Ans. The passage questions the quality of Indian cinema and the reasons for its low international exposure, raising worries about how it is regarded overseas.

C. “It should be realized that the average American film is a bad model, if only because it depicts a way of life so utterly at variance with our own. Moreover, the high technical polish, which is the hallmark of the standard Hollywood product, would be impossible to achieve under existing Indian conditions. What Indian cinema needs today is not more gloss, but more imagination, more integrity, and more intelligent appreciation of the limitations of the medium.
After all, we do possess the primary tools of filmmaking. The complaint of the technicians notwithstanding, mechanical devices such as the crane shot and the process shot are useful, but by no means indispensable. What our cinema needs above everything else is a style, an idiom, a sort of iconography of cinema, which would be uniquely and recognizably Indian.”

Q1.Why does the author criticize the average American film as a model for Indian cinema?
Ans. The author criticizes the average American film as a model for Indian cinema because it portrays a way of life different from Indian culture, and the high technical polish of Hollywood films is unattainable under Indian conditions.

Q2. According to the passage, what does Indian cinema need more of instead of gloss?
Ans. Indian cinema needs more imagination, integrity, and an intelligent appreciation of the medium’s limitations, rather than simply focusing on gloss or technical polish.

Q3.What primary tools of filmmaking does the author assert that India possesses?
Ans. The author asserts that India possesses primary filmmaking tools, including mechanical devices like crane shots and process shots, despite complaints from technicians about their use.

Q4. What does the author propose as essential for Indian cinema beyond technical tools?
Ans. Beyond technical tools, the author proposes the necessity for Indian cinema to develop a unique style, idiom, and iconography that is distinctly Indian.

Q5. How does the passage suggest a need for cultural authenticity in Indian cinema?
Ans. The statement highlights the significance of cultural authenticity in filmmaking and advises that instead of copying Hollywood’s approach, Indian cinema should concentrate on creating a style and iconography that reflects Indian culture and values.

D. “It is only in a drastic simplification of style and content that hope for the Indian cinema resides. At present, it would appear that nearly all the prevailing practices go against such simplification.
Starting a production without adequate planning, sometimes even without a shooting script, penchant for convolutions of plot and counter plot rather than the strong, simple unidirectional narrative: the practice of sandwiching musical musical numbers in the most unlyrical situations, the habit of shooting indoors in a country which is all landscape, and at a time when all other countries are turning to the documentary for inspiration-all these stand in the way of the evolution of a distinctive style.”

Q1.According to the passage, where does hope for Indian cinema lie?
Ans. Hope for Indian cinema lies in a drastic simplification of both style and content, according to the passage.

Q2. What prevailing practices does the author claim are hindering the evolution of Indian cinema?
Ans. The author claims that practices such as starting production without adequate planning, convoluted plotting, inappropriate placement of musical numbers, shooting indoors despite the landscape’s richness, and neglecting documentary inspiration are hindering the evolution of Indian cinema.

Q3.How does the author suggest Indian cinema can evolve its style and content?
Ans. The author suggests that Indian cinema can evolve by simplifying both its style and content, moving away from convoluted plots and unnecessary embellishments.

Q4.Provide synonyms for the term “simplification” as used in the passage.
Ans. Synonyms for “simplification” include reduction, clarification, or simplifying.

Q5. What contrast does the author draw between Indian cinema and international trends?
Ans. The author contrasts Indian cinema’s current practices with international trends, such as the growing popularity of documentary inspiration, suggesting that Indian cinema is lagging behind in evolving its style and content.

E. “There have been rare glimpses of an enlightened approach in a handful of recent films. IPTA’s ‘Dharti-Ke-Lala’ is an instance of a strong simple theme put over with style, honesty and technical competence. Shankar’s ‘Kalpana’, an inimitable and highly individual experiment shows a grasp of filmic movement, and a respect for tradition.The raw material of the cinema is life itself. It is incredible that a country which has inspired so much painting, music and poetry should fail to move the filmmakers. He has only to keep his eyes open, and his ears. Let him do so.”

Q1.What does the author consider as “rare glimpses of an enlightened approach” in recent films?
Ans. The author considers IPTA’s ‘Dharti-Ke-Lala’ and Shankar’s ‘Kalpana’ as instances of a rare enlightened approach in recent films.

Q2. How does the author describe the themes of ‘Dharti-Ke-Lala’ and ‘Kalpana’?
Ans. The author describes the theme of ‘Dharti-Ke-Lala’ as strong and simple, while ‘Kalpana’ is characterized as an inimitable and highly individual experiment.

Q3.What qualities does the author attribute to ‘Dharti-Ke-Lala’?
Ans. The author attributes style, honesty, and technical competence to ‘Dharti-Ke-Lala’.

Q4. How does the author describe Shankar’s ‘Kalpana’?
Ans. The author describes ‘Kalpana’ as showing a grasp of filmic movement and a respect for tradition.

Q5. What perspective does the author offer regarding the potential of filmmaking in India?
Ans. The author suggests that India’s rich cultural heritage has the potential to inspire filmmakers, encouraging them to keep their eyes and ears open to the raw material of life itself.



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